~A gypsy girl and occasional prostitute.

~Solitary and starved of emotive interaction, Luna scavenges for any attention she can find--taking advantage of it in whatever form it comes. She spends a good deal of energy wrapped up in a self-indulgent, emotionally gratifying fantasy world of her own construct…frequently at some cost to the other people involved.
She first approaches Regin with the thoroughly unrealistic hope that he might react positively to her amorous advances. Even when perfectly aware of Regin's complete disinterest in her, she continues to pursue him relentlessly, using his aversion as a catalyst for self-pity. In doing so, she happens upon a bit of empathy from Fox-who himself is quite accustomed to nothing but cold indifference from Regin. She is coy with him at first, being somewhat suspicious of a response that, for once, was not directly or intentionally solicited. It doesn't take long for her to develop a trusting penchant for him, though, reacting to his mild disposition and willingness to associate with her.
In Regin's absence (and with it the absence of Luna's open opportunity to indulge in her emotional highs and lows) she comes to rely on Ine, both for the traces of compassion she shows and for the very modest shelter she offers. Insecure in her standing with Ine, though, and increasingly emotionally dependent on her, Luna occupies her time aiming to please.
Luna's personality isn't evident in the straightforward sense-it shifts in accordance with what she's after. Beneath her mystic, demure façade and her more assertive endeavors, she's simply lonely, depressed and, having ruled out companionship (perhaps as a result of her questionable self-employment), resorts to searching out situations that compensate for the lack of intimate human contact.

~It took Luna quite a long time to develop into the character she is now. I wasn't quite sure what I wanted to do with her or what I wanted her to be, but I kept her around because she seemed to have the potential to be an interesting character. At the very start, she was something of a villain…a Morgan Le Fay sort of character, but as I fleshed out more of the story, it became less appropriate, and she transitioned to a character that lingered somewhere between protagonist and antagonist. At this point, she's very clearly neither, having no agendas save for her own personal interests. Through her romantic escapades, though, she's the impetus for a good deal of plot material…a wrench thrown into the works.
The name Luna seems to be a common character name-I wouldn't consider changing it, though. It fits her perfectly for its obvious association with the moon…and the moon's mythological association with womanhood, indecision, emotion and mysticism. In the fifth century, the Greek democratic ruler, Pericles, divorced his wife to be with Aspasia…who was rumored to be nothing but a courtesan using her sex appeal to influence his politics. Truthfully I gave Luna the last name 'Aspasia' because I happened upon it and liked the way it sounded coupled with her first name. It wasn't until much later that I learned of who Aspasia was. It turned out to be oddly and coincidentally appropriate.